Year: 2010

Eric Rohmer, RIP

Eric Rohmer has died at the age of 89. Here is the entire trailer, en français, for Le Genou de Claire. How times have changed. The trailer, like the film, is gorgeous, wordy, not exactly pacy, but ever so sensuel.

Attractive, well-to-do French people philosophizing about God and lusting after each other in beautiful settings. I could watch his movies forever.

And here’s a nice detail from the obit:

An admirer of Andre Bresson, his strength was in his capacity to depict human foibles and to capture a sense of time and place. According to his frequent cinematographer, Nestor Almendros, Rohmer visited the locations of “Claire’s Knee” a year before filming and planted roses in scenes that he envisaged.

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Lady GaGa: “Disco Sucks” redux?


The official video for Lady GaGa’s “Bad Romance” (Alexander McQueen! Haus of GaGa!) is best viewed side-by-side with this inspired fan parody (Snuggies! WalMart bags!). Click here to do just that.

I find the strong reactions Lady GaGa inspires more interesting than her actual music and videos. (I do like some of her songs, but if I’m in the mood for dance pop, I’ll listen to Goldfrapp or the Norwegian singer/DJ Annie.)

Not many are neutral about Lady GaGa. Her fans adore her, and there are a whole bunch of them, but she also really really really gets up the nose of others, including,  predictably, Bill O’Reilly and the always entertaining Westboro Baptist Church, who has singled her out as having a “whore’s forehead” (it’s some nonsense from the Bible, apparently).

"whore's forehead"

There  are precursors to this. You could go all the way back to Elvis, I suppose, but I prefer to arbitrarily start with the loathing Madonna inspired from mainstream media when she first appeared on the scene, and especially (this really dates me) the Disco Sucks promotion night at Chicago’s Comiskey Park in 1979.

Don’t remember that one? Here’s an account via the Independent

The precise time and place was 12 July 1979 at Comiskey Park, Chicago, at an event overseen by W-LUP DJ Steve Dahl, under the banner “Disco demolition”. In the intermission of a baseball game between the Detroit Tigers and the White Sox, a huge pile of disco records was covered in lighter fluid and then set ablaze. Anyone who brought disco records to the game for burning was allowed in for a mere 98 cents. Dahl was an overweight, bespectacled shock-jock in military headwear who had himself actually hosted disco parties. But he saw an opportunity and sensed the backlash that was swarming around him. Live on television, the flames sparked a crowd-invasion, the field ended up trashed, and the White Sox were forced to forfeit their second game. The event made the international news.

It was the end of an 18-month campaign that had been brewing across Middle America in order to contain the music that had so caught the popular consciousness. That it was picked up by the media with such enthusiasm demonstrates the latent hatred that had been festering. Disco was diametrically opposite to the macho posturing of white rock – and since there were no bands in disco, no tours, or souvenir T-shirts, it was difficult to quantify. A few journalists wrote passionately about it, but in the main it was ignored or treated with disdain. As Craig Werner writes in A Change Is Gonna Come, “The Anti-disco movement represented an unholy alliance of funkateers and feminists, progressives and puritans, rockers and reactionaries. None the less, the attacks on disco gave respectable voice to the ugliest kinds of unacknowledged racism, sexism and homophobia.”

Is this all a bit strong? Maybe. And I really can’t stand seeing those final three words strung together like that. It sounds like a paper written by a sophomore at a very expensive, mediocre private college. But I do agree that virulent anti-disco, anti-Madonna, anti-GaGa reactions (typically from “overweight, bespectacled” types) usually stand in for something deeper and nastier.

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“You never explain why they want to do us harm”

Glenn Greenwald rightly thinks this exchange reduces the brokenness of our system to its essence. It shows Helen Thomas repeatedly asking a very simple question, and the various ways White House terror expert John Brennan refuses to address  it.

(I especially love the journalist seated to her left. His supercilious stare over her shoulder, his fidgeting, his frowns. Finally, he just cuts her off and starts talking over her.)

Poor Helen. She looks like an exhausted wraith. I don’t imagine there was ever a time when White House press secretaries actually answered questions, but the mendacity took a turn for the worse not long after the dawn of the 21st century. I can only imagine this deranged, stylized theater of many words and no substance must be something saddening to her.

So back to the question of why. Writes Greenwald:

The evidence of what motivates Terrorism when directed at the U.S. is so overwhelming and undeniable that it takes an extreme propagandist to pretend it doesn’t exist.  What is Brennan so afraid of?  It’s true that religious fanaticism is a part of their collective motivation, but why can’t he just say what’s so obviously true:  “they claim that the U.S. is interfering in, occupying and bringing violence to their part of the world, they cite things like civilian deaths and our support for Israel and Guantanamo and torture, and claim that their terrorism is in retaliation”?

Can you spot the difference between Brennan’s attitude and the previous administration’s contention that “they hate us for our freedoms”? I can’t either.

Quite simply, don’t count on anyone with any clout in the national power structure ever addressing this question. As long as there is an insatiable, irrational, and evil entity out there, the military can’t be mobilized enough. The defense budget can’t be high enough. There is no battleground too distant. If this enemy had real grievances and demands, then maybe we could do something to improve the situation. Like pull our troops out of Afghanistan and Iraq and stop our murderous Predator attacks in Pakistan, Somalia, and now Yemen. Might even save us a little money. A trillion here, a trillion there. Pretty soon, you’re talking real money.

But that ain’t gonna happen. They’re Islamist crazies who will stop at nothing short of world domination.  And the bombs must keep dropping, the supplemental budgets must be rammed through, the money, in short, must keep flowing.

From Iceland with love


Iceland’s president has recently given the middle finger to the “international financial system” (or more likely the two-fingered fingered flip favored in the UK) by blocking a $5 billion (US) debt repayment deal, pending a referendum on the matter. The Icelandic taxpayers are rightly questioning why every family in the country should give 40,000 pounds to England and the Netherlands to make amends for the failings of their genius MBA banking class.

President Olafur Grimsson’s role is largely ceremonial, or it was, until he took the bold step of nixing the deal, after he received a petition signed by 20 percent of Iceland’s population. Polls have about 70 percent of the voters saying they’ll vote against the repayment package as it stands. Bad things are being threatened.

“The Icelandic people … would effectively be saying that Iceland does not want to be part of the international financial system,” Britain’s Financial Services Minister Paul Myners said.

How do you say “What are the benefits, exactly?” in Icelandic.

OK. I may well be oversimplifying things. But I like the sound of this. A president who steps beyond his designated role to respond to the popular will, in the process stepping hard on the bunions of the very moneyed interests who put him into office. I guess it could happen. But could it happen here?

Oh, yes, the video. Emiliana Torrini, Icelanic/Italian singer. Lovely woman, lovely song, lovely  video.

Cryopreservation: Swine of the times

surgery on a sheep
Sheep surgery at the SVF Foundation. photo: New York Times

Is it quibbling to question  the New York Times’ decision to run Rare Breeds, Frozen in Time in the Dining and Wine section, instead of the Science Times?

The story is about the SVF Foundation, a livestock preservation farm/lab that freezes and stores the sperm and embryos of heritage breeds. The writer, Barry Estabrook, does a good job in sketching out the potential catastrophe underlying current industrial livestock techniques, which (in)breeds so aggressively for value-adding uniform characteristics that it weakens the genetic makeup of popular lines. Holsteins, for example, “make up 93 percent of America’s dairy herd. Fewer than 20 champion bulls are responsible for half the genes,” according to the Holstein Association USA.

“Think of this as a safety valve program,” said Dr. George Saperstein, the [SVF] foundation’s chief scientific adviser, who is chairman of the Department of Environmental and Population Health at the Cummings School of Veterinary Medicine at Tufts University. “If there was a disaster, if something like the potato famine of livestock ever hit, these frozen embryos [of selected heritage breeds] would be made available, and in one generation we would be back in business.”

Peter Borden, SVF’s executive director, explains the obvious advantages heritage breeds present. They “have not been continuously ‘improved’ by humans…. They have been shaped by natural survival-of-the-fittest forces and can get along without human intervention.”

What a concept. An animal unimproved by man! This is in marked contrast to the modern “standardized”  factory hog as portrayed in Nathaneal Johnson’s terrific 2006 Harper’s article Swine of the times: The making of the modern pig. (Such a good title. Couldn’t resist stealing it.)

The goal of modern factory livestock farming is the same for pork, beef, chicken, whatever. The business model, based as it is on efficiency and massive scale, finds it desirable to have “standardized” animals that grow at predictable rates and produce predictably uniform meat. The uniformity is necessary for, among other things, the slaughterhouse assembly line, one of the highest expressions of the deranged genius of industrial agriculture.  Writes Johnson, “As swine carcasses move down the conveyor belt, at Hormel’s Austin, Minnesota, packing plant, they hit a curved knife, which slices the cylindrical loin from the inside of the body cavity. If the animals aren’t just the right proportions, the knife will hit the wrong spot, wasting meat or cutting into bone.”

That dystopian assembly line was the single image that stayed with me, and creeped me out, since I first read Johnson’s article.  Of course there are no tradeoffs for this uniformity, right? Wellllllll….. Writes Johnson:

The modern pig is so susceptible to disease that producers must take extreme measures to transform their barns into pathogen-free bubbles. The pigs are vulnerable because they live in close quarters; and because they are genetically uniform, a bug that breaches the defenses of one pig’s immune system can hop to the next. A bacterium stowing away between a traveling boar’s toes could wipe out half a herd.

Johnson paints the most vivid and frightening picture of modern industrial agriculture I’ve come across. It would give PETA-sympathetic folks conniptions.

In just a little more than a decade, the modern hog industry has produced a tower of efficiency-maximizing products, one stacked atop the next, each innovation fixing the problem the last fix created. It is a monumental if somewhat haphazard structure, composed of slatted floors and aluminum crates, automatic sorting scales and mechanized wet-dry feeders. It is constructed of Genepacker sows, Tylan antibiotic feed, Agro-Clean liquid detergent, Argus salmonella vaccine, Goldenpig foam-tipped disposable AI catheters, CL Sow Re-placer milk substitute, and Matrix estrus synchronizer.

Brilliant system, right? What could go wrong?

Sorry, I digressed a bit as I revisited “Swine of the times.” (Really a must-read, and it’s not behind the famous Harper’s firewall, for all you cheapskates who don’t subscribe to the world’s best magazine). Back to the Times article. It’s well worth a look, and the companion slide show is good too.  I just found it a little odd that the emphasis at the top of the article went on about “cutting-edge restaurants”* and “the next food trend” when much bigger issues, like the precariousness of the  food supply, are really what’s at stake here.

___________

* and speaking of “cutting-edge restaurants”: when did it become conventional to prepend the chef/proprietor’s name to every mention? “David Schuttenberg’s Cabrito in the West Village, Rick Bayless’s Frontera Grill in Chicago and Tom Douglas’s Lola.” Annoying! I take off my hat to the restaurant PR flacks who made this a matter of journalistic policy at the Times.

dystopian

Detroit as the canary in the coal mine

Diego Rivera mural
"deities waiting to reclaim the world"

Marcy Wheeler has an interesting post on “the increasingly urgent efforts to turn Detroit back into an agricultural bread basket.”

Apparently, companies are buying up large abandoned chunks of the Motor City with the idea of turning the lots into “a large-scale commercial farm enterprise.”  Another, better established (and just plain better)  model involves the rapidly growing network of community gardens, some of which feed students in over forty city schools.

Marcy’s conclusion echoes some of my thinking recently: that, like it or not, we might well return to being a nation of farmers. The question is what kind of farmers will we be?

Detroit has long been a symbol of America’s industrial might. And yet, quickly, it has become a symbol not only of decay, but of the earth reclaiming the land. Frankly, I’m in favor of using Detroit’s vacant space for farming (though I prefer it to be organic, small scale farming). But if Detroit is the canary in the coal mine of industrial society, we need to start preparing to return to an agricultural way of life.

For more, there’s this wonderful Harper’s essay by the great Rebecca Solnit, Detroit arcadia: Exploring the post-American landscape. “Surrounded, but inside that stockade of racial divide and urban decay are visionaries, and their visions are tender, hopeful, and green.”

Everyone talks about green cities now, but the concrete results in affluent cities mostly involve curbside composting and tacking solar panels onto rooftops while residents continue to drive, to shop, to eat organic pears flown in from Argentina, to be part of the big machine of consumption and climate change. The free-range chickens and Priuses are great, but they alone aren’t adequate tools for creating a truly different society and ecology. The future, at least the sustainable one, the one in which we will survive, isn’t going to be invented by people who are happily surrendering selective bits and pieces of environmentally unsound privilege. It’s going to be made by those who had all that taken away from them or never had it in the first place.

Solnit concludes with this bit, about an “odd masterpiece,” the massive Diego Rivera mural at the Detroit Institute of Arts (“painted by a Communist for the son of one of the richest capitalists in the world [Edsel Ford, who commissioned the piece]”):

That Rivera mural, for instance. In 1932 the soil, the country, the wilderness, and agriculture represented the past; they should have appeared, if at all, below or behind the symbols of industry and urbanism, a prehistory from which the gleaming machine future emerged. But the big panels of workers inside the gray chasms of the River Rouge plant have above them huge nude figures—black, white, red, yellow, lounging on the bare earth. Rivera meant these figures to be emblematic of the North American races and meant their fistfuls of coal, sand, iron ore, and limestone to be the raw stuff of industrialism. To my eye, though, they look like deities waiting to reclaim the world, insistent on sensual contact with the land and confident of their triumph over and after the factory that lies below them like an inferno.

All these wars: some questions

old war bond ad
How quaint! We once had to pay for wars

Who among us has the time, or indeed the inclination, to pore over the myriad (and I think deliberately obtuse) reports in the major media outlets about our five, count ’em, FIVE fronts in the glorious global war on terror? Tom Englehardt does, thank God! In The Year of the Assassin, Englehart and Nick Turse ponder ten pretty fricking important questions about the coming year for America and its multiple battle fronts, so bizarrely disconnected from daily life in the homeland.

We, of course, think of ourselves as something like the peaceable kingdom.  After all, the shock of September 11, 2001 was that “war” came to “the homeland,” a mighty blow delivered against the very symbols of our economic, military, and — had Flight 93 not gone down in a field in Pennsylvania — political power.

Since that day, however, war has been a stranger in our land.  With the rarest of exceptions, like Army psychiatrist Major Nidal Hasan’s massacre at Fort Hood, Texas, this country has remained a world without war or any kind of mobilization for war.  No other major terrorist attacks, not even victory gardens, scrap-metal collecting, or rationing.  And certainly no war tax to pay for our post-9/11 trillion-dollar “expeditionary forces” sent into battle abroad….

Although our country delivers war regularly to distant lands in the name of our “safety,” we don’t really consider ourselves at war (despite the endless talk of “supporting our troops”), and the money that has simply poured into Pentagon coffers, and then into weaponry and conflicts is, with rare exceptions, never linked to economic distress in this country.  And yet, if we are no nation of warriors, from the point of view of the rest of the world we are certainly the planet’s foremost war-makers.  If money talks, then war may be what we care most about as a society and fund above all else, with the least possible discussion or debate.

The article really deserves to be read in full, but I’ll just offer an excerpt from the first question, “1. How busted will the largest defense budget in history be in 2010?”:

If you want to put a finger to the winds of war in 2010, keep your eye on something else not included in that budget: the Obama administration’s upcoming supplemental funding request for the Afghan surge. In his West Point speech announcing his surge decision, the president spoke of sending 30,000 new troops to Afghanistan in 2010 at a cost of $30 billion. In news reports, that figure quickly morphed into “$30-$40 billion,” none of it in the just-passed Pentagon budget. To fund his widening war, sometime in the first months of the New Year, the president will have to submit a supplemental budget to Congress — something the Bush administration did repeatedly to pay for George W.’s wars, and something this president, while still a candidate, swore he wouldn’t do. Nonetheless, it will happen. So keep your eye on that $30 billion figure. Even that distinctly low-ball number is going to cause discomfort and opposition in the president’s party — and yet there’s no way it will fully fund this year’s striking escalation of the war. The question is: How high will it go or, if the president doesn’t dare ask this Congress for more all at once, how will the extra funds be found? Keep your eye out, then, for hints of future supplemental budgets, because fighting the Afghan War (forget Iraq) over the next decade could prove a near trillion-dollar prospect.

Ethics, tactics, drones, counterterrorism (“which is just terrorism put in uniform and given an anodyne name”). We should all be up to speed on each of these subjects, and there should be a ferocious debate in our media and Congress. Fat chance.  Last week, a truly horrible story surfaced and was pretty much ignored by our major news outlets. “The occupied government of Afghanistan and the United Nations have both concluded that U.S.-led troops recently dragged eight sleeping children out of their beds, handcuffed some of them, and shot them all dead.”

Really, you’d think there would be more of a fuss…..

New Decade: Fallin’/flyin’

At the dawn of the Millennium, my Monday mornings as a New York City cubicle warrior involved a leisurely routine of coffee drinking, subway riding (I went in a little late so I could have a seat), and  paper reading. Then I got to the office, and commenced to Web surfing and chatting with work buddies.  And eventually working, some days more than others. When I was sick or on vacation, I got the direct deposited check just the same. At the time, I felt underpaid, but from my perspective today, my salary in the year 2000 now seems like a fortune. It was a simple trade-off, my time and brainpower to further the goals of a major media organization whose overall effect on the world can at best be described as neutral.

I wanted something more. Emboldened by another small fortune, the meteoric appreciation in value of an old house in Brooklyn we bought at just the right time, my wife and I agreed it might be a good idea to revisit her ancestral abode and try living on a farm in central Kentucky. We had a bunch of money from the sale of the house, and the stock market would generate more than enough income to live on, even if our ventures didn’t pay the bills.

Needless to say, it didn’t work out quite that way. A decade passed, the larger world has become incredibly precarious, and I am the father of three with not a hell of a lot of earning power.

It’s still true that the rewards of this life are pretty exhilarating. Coming outside on a spring morning to see a new calf, born overnight, standing and suckling; eating meals entirely from our garden and livestock; watching a cloud of starlings at dusk a hundred yards long.

But on a morning like this a song from Crazy Heart comes at me pretty hard: Fallin’ feels like flyin’ for a while (or words to that effect).  All the intangible benefits of this life are wonderful, but what we’ve given up  in comfort and security sometimes seems like a lot. This morning, for example, waking to a house that is never warm enough in winter, in a week where the temperatures will top out in the low 20s every day, getting the kids off to school, then wriggling into my Carhartt jumpsuit, trudging outside on the crusty ground, moving a ramshackle hay ring, held together with wire, to a  new hay bale so my cattle can eat.  Today, it’s hard to see this as flyin.’

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