rebecca solnit

Ban looting from the language?

Banish the word looting from the English language. That is the suggestion of national treasure Rebecca Solnit, in When the media is the disaster.

It incites madness and obscures realities.

“Loot,” the noun and the verb, is a word of Hindi origin meaning the spoils of war or other goods seized roughly. As historian Peter Linebaugh points out, “At one time loot was the soldier’s pay.” It entered the English language as a good deal of loot from India entered the English economy, both in soldiers’ pockets and as imperial seizures.

After years of interviewing survivors of disasters, and reading first-hand accounts and sociological studies from such disasters as the London Blitz and the Mexico City earthquake of 1985, I don’t believe in looting. Two things go on in disasters. The great majority of what happens you could call emergency requisitioning. Someone who could be you, someone in the kind of desperate circumstances I outlined above, takes necessary supplies to sustain human life in the absence of any alternative. Not only would I not call that looting, I wouldn’t even call that theft.

Necessity is a defense for breaking the law in the United States and other countries, though it’s usually applied more to, say, confiscating the car keys of a drunk driver than feeding hungry children. Taking things you don’t need is theft under any circumstances. It is, says the disaster sociologist Enrico Quarantelli, who has been studying the subject for more than half a century, vanishingly rare in most disasters.

Personal gain is the last thing most people are thinking about in the aftermath of a disaster. In that phase, the survivors are almost invariably more altruistic and less attached to their own property, less concerned with the long-term questions of acquisition, status, wealth, and security, than just about anyone not in such situations imagines possible. (The best accounts from Haiti of how people with next to nothing have patiently tried to share the little they have and support those in even worse shape than them only emphasize this disaster reality.) Crime often drops in the wake of a disaster.

The media are another matter. They tend to arrive obsessed with property (and the headlines that assaults on property can make). Media outlets often call everything looting and thereby incite hostility toward the sufferers as well as a hysterical overreaction on the part of the armed authorities. Or sometimes the journalists on the ground do a good job and the editors back in their safe offices cook up the crazy photo captions and the wrongheaded interpretations and emphases.

Case in point: these two images from the Los Angeles Times.

GOODS FROM STORE: A looter makes off with rolls of fabric from an earthquake-wrecked store in downtown Port-au-Prince. (Carolyn Cole / Los Angeles Times)
ARRESTED: A Haitian police officer ties up a suspected looter who was carrying a bag of evaporated milk. (Carolyn Cole / Los Angeles Times)

I don’t KNOW the real story behind these pictures, but I suspect the copy editor in Los Angeles didn’t know either when he or she declared that these were cases of looting.

I look at the face of both of these desperate people, especially the one carrying a bag of evaporated milk (!) and wonder how anyone can judge them. Solnit recommends a simple solution: put yourself in their shoes.

Imagine, reader, that your city is shattered by a disaster. Your home no longer exists, and you spent what cash was in your pockets days ago. Your credit cards are meaningless because there is no longer any power to run credit-card charges. Actually, there are no longer any storekeepers, any banks, any commerce, or much of anything to buy. The economy has ceased to exist.

By day three, you’re pretty hungry and the water you grabbed on your way out of your house is gone. The thirst is far worse than the hunger. You can go for many days without food, but not water. And in the improvised encampment you settle in, there is an old man near you who seems on the edge of death. He no longer responds when you try to reassure him that this ordeal will surely end. Toddlers are now crying constantly, and their mothers infinitely stressed and distressed.

So you go out to see if any relief organization has finally arrived to distribute anything, only to realize that there are a million others like you stranded with nothing, and there isn’t likely to be anywhere near enough aid anytime soon. The guy with the corner store has already given away all his goods to the neighbors.  That supply’s long gone by now. No wonder, when you see the chain pharmacy with the shattered windows or the supermarket, you don’t think twice before grabbing a box of PowerBars and a few gallons of water that might keep you alive and help you save a few lives as well.

The old man might not die, the babies might stop their squalling, and the mothers might lose that look on their faces. Other people are calmly wandering in and helping themselves, too. Maybe they’re people like you, and that gallon of milk the fellow near you has taken is going to spoil soon anyway. You haven’t shoplifted since you were 14, and you have plenty of money to your name. But it doesn’t mean anything now.

If you grab that stuff are you a criminal? Should you end up lying in the dirt on your stomach with a cop tying your hands behind your back? Should you end up labeled a looter in the international media? Should you be shot down in the street, since the overreaction in disaster, almost any disaster, often includes the imposition of the death penalty without benefit of trial for suspected minor property crimes?

Or are you a rescuer? Is the survival of disaster victims more important than the preservation of everyday property relations? Is that chain pharmacy more vulnerable, more a victim, more in need of help from the National Guard than you are, or those crying kids, or the thousands still trapped in buildings and soon to die?

It’s pretty obvious what my answers to these questions are, but it isn’t obvious to the mass media. And in disaster after disaster, at least since the San Francisco earthquake of 1906, those in power, those with guns and the force of law behind them, are too often more concerned for property than human life. In an emergency, people can, and do, die from those priorities. Or they get gunned down for minor thefts or imagined thefts. The media not only endorses such outcomes, but regularly, repeatedly, helps prepare the way for, and then eggs on, such a reaction.

For these particular photos, Solnit proposes the following alternate captions:

Let’s start with the picture of the policeman hogtying the figure whose face is so anguished: “Ignoring thousands still trapped in rubble, a policeman accosts a sufferer who took evaporated milk. No adequate food distribution exists for Haiti’s starving millions.”

And the guy with the bolt of fabric? “As with every disaster, ordinary people show extraordinary powers of improvisation, and fabrics such as these are being used to make sun shelters around Haiti.”

In spite of the fact that I’ve slapped out rather large chunks of this essay, please read it in full. Solnit is a great writer who always has a fresh, insightful and, at times, strangely optimistic perspective on some of the most difficult topics.

Detroit as the canary in the coal mine

Diego Rivera mural
"deities waiting to reclaim the world"

Marcy Wheeler has an interesting post on “the increasingly urgent efforts to turn Detroit back into an agricultural bread basket.”

Apparently, companies are buying up large abandoned chunks of the Motor City with the idea of turning the lots into “a large-scale commercial farm enterprise.”  Another, better established (and just plain better)  model involves the rapidly growing network of community gardens, some of which feed students in over forty city schools.

Marcy’s conclusion echoes some of my thinking recently: that, like it or not, we might well return to being a nation of farmers. The question is what kind of farmers will we be?

Detroit has long been a symbol of America’s industrial might. And yet, quickly, it has become a symbol not only of decay, but of the earth reclaiming the land. Frankly, I’m in favor of using Detroit’s vacant space for farming (though I prefer it to be organic, small scale farming). But if Detroit is the canary in the coal mine of industrial society, we need to start preparing to return to an agricultural way of life.

For more, there’s this wonderful Harper’s essay by the great Rebecca Solnit, Detroit arcadia: Exploring the post-American landscape. “Surrounded, but inside that stockade of racial divide and urban decay are visionaries, and their visions are tender, hopeful, and green.”

Everyone talks about green cities now, but the concrete results in affluent cities mostly involve curbside composting and tacking solar panels onto rooftops while residents continue to drive, to shop, to eat organic pears flown in from Argentina, to be part of the big machine of consumption and climate change. The free-range chickens and Priuses are great, but they alone aren’t adequate tools for creating a truly different society and ecology. The future, at least the sustainable one, the one in which we will survive, isn’t going to be invented by people who are happily surrendering selective bits and pieces of environmentally unsound privilege. It’s going to be made by those who had all that taken away from them or never had it in the first place.

Solnit concludes with this bit, about an “odd masterpiece,” the massive Diego Rivera mural at the Detroit Institute of Arts (“painted by a Communist for the son of one of the richest capitalists in the world [Edsel Ford, who commissioned the piece]”):

That Rivera mural, for instance. In 1932 the soil, the country, the wilderness, and agriculture represented the past; they should have appeared, if at all, below or behind the symbols of industry and urbanism, a prehistory from which the gleaming machine future emerged. But the big panels of workers inside the gray chasms of the River Rouge plant have above them huge nude figures—black, white, red, yellow, lounging on the bare earth. Rivera meant these figures to be emblematic of the North American races and meant their fistfuls of coal, sand, iron ore, and limestone to be the raw stuff of industrialism. To my eye, though, they look like deities waiting to reclaim the world, insistent on sensual contact with the land and confident of their triumph over and after the factory that lies below them like an inferno.

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